21 pages • 42 minutes read
Edna St. Vincent MillayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Readers of Millay’s poem become aware of the speaker in the very first line. The speaker is a first-person entity, as indicated by the first-person pronoun “I” (Line 1). The ungendered speaker relates what they “will” (Line 1) do, meaning it hasn’t been done yet and that the speaker is projecting their future intentions. The speaker wants to relegate “Chaos” into “fourteen lines” (Line 1). “Chaos” refers to “a state of utter confusion,” “a confused mass or mixture,” “a state of things in which chance is supreme,” and “the inherent unpredictability in the behavior of a complex natural system” (“Chaos.” Merriam-Webster, 2022). In addition to this contemporary understanding of chaos as a state of bewilderment and disorder, Greek mythology also viewed “Chaos” (Line 1) as “either the primeval emptiness of the universe before things came into being or the abyss of Tartarus, the underworld” (“Chaos.” Britannica, 2022). Since the reference to “Chaos” is capitalized in the first line of the poem as it is in Greek mythology, readers may assume that the meaning of “Chaos” the speaker intends is closer to this mythological allusion to primordial nothingness or a hellish pit.
By Edna St. Vincent Millay
An Ancient Gesture
Edna St. Vincent Millay
Conscientious Objector
Edna St. Vincent Millay
Ebb
Edna St. Vincent Millay
Lament
Edna St. Vincent Millay
Not In A Silver Casket Cool With Pearls
Edna St. Vincent Millay
Song of a Second April
Edna St. Vincent Millay
Spring
Edna St. Vincent Millay
The Ballad of the Harp-Weaver
Edna St. Vincent Millay
The Courage That My Mother Had
Edna St. Vincent Millay
The Spring And The Fall
Edna St. Vincent Millay
Travel
Edna St. Vincent Millay