18 pages • 36 minutes read
Maya AngelouA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The poem is told ostensibly in the first person, that is, limited to convey the experiences and the perception of the poet or a persona, a character created within the context of the poem. In this case, drawing on the considerable tragedies, agonies, and indignities of her own life-narrative, Angelou testifies to her own triumphant survival.
Angelou, however, provides her speaker with no context, personal or otherwise. There is no setting, no specific conflict, no action, no other characters that might give the speaker an identity. There is something larger going on. In this, Angelou uses the first-person “I” (Lines 1, 12, 13) to create immediacy and urgency to a poem that, in turn, speaks for a broad reach of humanity, a choral I that crosses ethnic, religious, economic, and sociopolitical boundaries. In this, Angelou uses what could be called the first-person collective or the first-person plural. Recalling the narrative voice of the Old Testament Psalms or the soaring transcendental “I” who declaims in Walt Whitman’s spiritual poetry or the heroic voice heard in narratives of the enslaved and in gospel lyrics, Angelou’s “I” speaks for all those who endure pain and who are tested by suffering and who, in the end, affirm the grandness of living.
By Maya Angelou
A Brave And Startling Truth
Maya Angelou
All God's Children Need Traveling Shoes
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A Song Flung Up to Heaven
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Caged Bird
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Gather Together in My Name
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I Know Why The Caged Bird Sings
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Letter to My Daughter
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Mom & Me & Mom
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Mother, A Cradle to Hold Me
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On the Pulse of Morning
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Phenomenal Woman
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Still I Rise
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The Heart of a Woman
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